When making a film one must walk a thin rope of disturbance especially today. You must upset what your viewer expects to see without going over the top to offend them if you want them to stay till the end. Disturbances add excitement, shock and authenticity to your project. The problem is there are so many options out there so that line must stay firm and that is why we see so many reboots/remakes of classic films by the “big studios”. Yet art demands touching the third rail even for a second. I guess in the end one should touch but just for enough time not to disturb.
13
May